CFP: Feminism and Early Frankfurt School
17 Wednesday Mar 2021
17 Wednesday Mar 2021
14 Sunday Mar 2021
Posted Critical Theory, Frankfurt School, Theodor W. Adorno, Uncategorized
inUC BERKELEY’S PROGRAM IN CRITICAL THEORY PRESENTS: Two Adorno-Related Events, with Peter E. Gordon
Two Events with Peter E. Gordon
Peter E. Gordon, Amabel B. James Professor of History, Faculty Affiliate in the Department of Germanic Languages and Literatures, and Faculty Affiliate in the Department of Philosophy, Harvard University
“A Precarious Happiness: Adorno on Negativity and Normativity“
Monday, March 15, 5–7 pm PST
Online, register here to receive a personalized Zoom link to join the webinar.
It is a commonplace view that Adorno subscribes to a doctrine of “epistemic negativism,” or “austere negativism.” On this interpretation, Adorno denies that we can have any knowledge of the good, since our society is wholly false. Gordon’s talk offers, first, some arguments against this commonplace reading of Adorno’s work and, second, proposes an alternative explanation for the normativity that underwrites his criticism. First, Gordon argues that the epistemic negativist interpretation is overstated, insofar as it presents society as a) uniform and b) closed; meanwhile, it also leaves Adorno with no resources to defend his theory’s own self-reflexive possibility. Second, against the epistemic negativist interpretation, Gordon argues that Adorno’s practice of immanent critique can succeed only because he acknowledges normative resources in the midst of our false society. This is one underlying commonality between Adorno and Marx. These normative resources are available to us not primarily as concepts but as experiential “traces” of sensuous happiness. In this respect Adorno subscribes to a species “materialism,” broadly construed. But Adorno’s commitment to such sensuous or aesthetic experiences does not leave him vulnerable to charges of hedonism or aestheticism; on the contrary, he insists that these very experiences themselves are precarious: they register the damage of our damaged world even as they also point beyond it…(more)
Tuesday, March 16, 5-7 pm PST
Online, register here to receive a personalized Zoom link to join the webinar.
Please join The Program in Critical Theory as it presents Professor Peter E. Gordon of Harvard University in conversation with Martin Jay, UC Berkeley (History; Program in Critical Theory), Pardis Dabashi, University of Nevada, Reno (English), and Robert Kaufman, UC Berkeley (Comparative Literature; Program in Critical Theory). After presentations and colloquy among the panelists, discussion will open to attendees. Those attending are asked to read the “Meditations on Metaphysics” section of Adorno’s Negative Dialectics. An open-source version of Dennis Redmond’s English-language translation of Negative Dialectics can be accessed at any of these three sites:
https://www.academia.edu/39707967/Negative_Dialectics
https://libcom.org/library/negative-dialectics-theodor-adorno
https://dennisredmond.weebly.com/publications.html…(more)
The Program in Critical Theory offers a Designated Emphasis in Critical Theory to UC Berkeley doctoral students doing innovative theoretical work in the social sciences, arts, and humanities. In addition to offering coursework on nineteenth-century social theory and philosophy, Frankfurt School and related twentieth-century currents in theory and criticism, and contemporary engagements with critical theory traditions, the Program sponsors graduate fellowships, hosts visiting scholars, and presents lectures, seminars, and symposia for the Berkeley campus and Bay Area community.
To receive regular announcements about The Program in Critical Theory, we invite you to sign up for our mailing list. For more information, or to make a donation, please visit criticaltheory.berkeley.edu.
07 Sunday Mar 2021
Henry Pickford, “Thinking with Adorno: Metaphysical Experience and Aesthetic Autonomy”
9:30 – 11 a.m. EST
Fri, Mar. 12, 2021
REGISTER HERE
Facebook event page (please mark “going” or “interested” to help us reach wider audiences!)
Please join the Franklin Humanities Institute for its Friday morning series, tgiFHI! tgiFHI gives Duke faculty in the humanities, interpretative social sciences and arts the opportunity to present their current research to their departmental (and interdepartmental) colleagues, students, and other interlocutors in their fields.
Talk description:
In the spring of 1969, when Germany was convulsed by popular unrest and police violence, the editor of the German magazine Der Spiegel begins his interview with the philosopher and sociologist Theodor W. Adorno by saying “Professor Adorno, two weeks ago, the world still seemed in order,” to which Adorno responds, “Not to me.” The interview concludes with Adorno asserting, “I am not in the least ashamed to say very publicly that I am working on a major book on aesthetics.”
While Adorno submitted the oppressive tendencies of modern western society to withering critique, his practice as a public intellectual as well as his philosophy also seek to develop capacities of resistance and hope. The talk offers an account of some of these capacities, centering on two concepts advanced by Adorno: metaphysical experience and the riddle-character of modernist art.
Speaker bio:
Henry W. Pickford is Professor of German and Philosophy. He is the author of The Sense of Semblance: Philosophical Analyses of Holocaust Art; Thinking with Tolstoy and Wittgenstein: Expression, Emotion and Art (also to appear in Russian translation): co-author of In Defense of Intuitions: A New Rationalist Manifesto; co-editor of Der aufrechte Gang im windschiefen Kapitalismus; editor and translator from the German of Theodor W. Adorno, Critical Models: Interventions and Catchwords and from the Russian of Lev Loseff, Selected Early Poems.
This event is cosponsored by the Department of Germanic Languages and Literatures.
03 Wednesday Mar 2021
This isn’t a strictly Adorno related announcement but has more to do with the administration of the website and the future of the society. After almost a decade of administering the website (our first post was 12/5/11, which now seems like a lifetime ago!), and of 4 years of editing the journal, Kathy and I are writing to let everyone know that we will be stepping down in these roles.
We are both exceedingly grateful to the community that has arisen and so incredibly happy to have met all of the people we have met across the world, but, for both of us, it is time to step away and allow the association and the website to take on new forms and projects. As of now, as the executives of the Association, Surti Singh and Pierre-François Noppen will take over administration of this site.
In the near future, we anticipate that they will be able to announce new ventures and partnerships for both the association and journal. In the meantime, we send everyone reading best wishes and gratitude.
Most sincerely,
Martin Shuster
Kathy Kiloh
02 Tuesday Mar 2021
Posted Critical Theory, Frankfurt School, General, Publications
inEric-John Russell (Département de Philosophie at the University of Paris 8) has written to us about his new book: Spectacular Logic in Hegel and Debord: Why Everything is as it Seems (Bloomsbury, 2021), with a foreword by Étienne Balibar.
He notes that “while the monograph is primarily engaged with the work of Guy Debord and Hegelian philosophy, a central argument is that Debord’s work ought to be situated within the legacy of the Frankfurt School of Critical Theory, particularly Adorno.” And he also notes that there is also a free widget preview available for both the book’s introduction and Étienne Balibar’s foreword: https://bloomsburycp3.codemantra.com/viewer/6038b8f8e21b8400014cc099
Finally, this flyer will give you 35% off of the book.
02 Tuesday Mar 2021
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UPDATE:
You are cordially invited to the virtual launch of Adorno and the Ban on Images. The author will be in conversation with Dr Cat Moir (Germanic Studies, Sydney).
The launch will take place as part of KCL’s Comparative Literature research seminar series via MS Teams on Wednesday 3 March 2021 at 4.30 pm GMT. The event is free, open to all and can be accessed here (alternatively copy the following link into your browser: https://tinyurl.com/1u30bmtp.) There is no need to pre-register.
Discount codes to purchase the book at a reduced cost (-35%) will be available on the day. In case of interest, the book can be purchased here.
For further information, please contact the organisers: anna.katila@kcl.ac.uk or maria.marino@kcl.ac.uk.
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Sebastian Truskolaski has written to us letting us know that his new book, Adorno and the Ban on Images, will be released shortly with Bloomsbury. Here is the publisher’s blurb:
This book upends some of the myths that have come to surround the work of the philosopher Theodor W. Adorno – not least amongst them, his supposed fatalism.
Sebastian Truskolaski argues that Adorno’s writings allow us to address what is arguably the central challenge of modern philosophy: how to picture a world beyond suffering and injustice without, at the same time, betraying its vital impulse. By re-appraising Adorno’s writings on politics, philosophy, and art, this book reconstructs this notoriously difficult author’s overall project from a radically new perspective (Adorno’s famous ‘standpoint of redemption’), and brings his central concerns to bear on the problems of today.
On the one hand, this means reading Adorno alongside his principal interlocutors (including Kant, Marx and Benjamin). On the other hand, it means asking how his secular brand of social criticism can serve to safeguard the image of a better world – above all, when the invocation of this image occurs alongside Adorno’s recurrent reference to the Old Testament ban on making images of God.
By reading Adorno in this iconoclastic way, Adorno and the Ban on Images contributes to current debates about Utopia that have come to define political visions across the political spectrum.